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This collection of essays, first published in 1987, provides a
sociological treatment of many musical forms - rock, jazz,
classical - with special emphasis on the perspective of the
practising musician. Among the topics covered are the legal
structures governing musical production and the question of
copyright; recording and production technology; the social
character of musical style; and the impact of lyrical content,
considered socially and historically.
This collection of essays, first published in 1987, provides a
sociological treatment of many musical forms - rock, jazz,
classical - with special emphasis on the perspective of the
practising musician. Among the topics covered are the legal
structures governing musical production and the question of
copyright; recording and production technology; the social
character of musical style; and the impact of lyrical content,
considered socially and historically.
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